dont care if i sound corny or cliche but to love and be loved back and not having to second guess where u stand in someones heart is such a warm and safe feeling & everyone should have the luxury and pleasure of having it always

I think also like the general perception that mitski is discussing like Womanhood and not the intersection of race and womanhood is like interesting like obviously it’s a good thing that woc aren’t being racially pidgeonholed but like. just because a mitski song isn’t overtly discussing race it doesn’t mean the experiences she’s talking about aren’t affected by race. like talking about not being beautiful or feeling like a failed woman…as a mixed Asian woman those things r all affected by race for me and almost certain are for her also. like idk I feel like there’s a lot of discussion about what mitski says about womanhood and kind of the assumption that her music can be seamlessly translated to white womanhood and it’s like. yes and no.

Praying for the woman I’ll be in 5+yrs I hope she’s happy, and loved, living life unapologetically, doing what she loves.

“She is so soft, so wing, so gone, so love.”

— César Vallejo, tr. by Clayton Eshleman, from Selected Writings; “Footsteps,”
(via violentwavesofemotion)

i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love i love